There are hundreds of settings that can be tweaked to create a scan, but I like to keep it simple:
Another important advantage is that a colour scan is actually made up of 3 separate scans - red, green and blue. Each of these colour channels shows the image detail in a slightly different way and so they can be adjusted to get the best starting point for the restoration. (More on this in the next article).
The only exception I would make is to use the 'Descreen' mode if I am scanning a newspaper photograph - a little detail is lost but the ink dots which make up the image can be virtually eliminated, along with the 'wavy line' (or Moire fringe) interference patterns using this mode.
And finally the scan can be made. And immediately saved to provide a reference point. Or a new starting point should everything go horribly wrong.
I then keep the original photo in a cardboard folder on an adjacent desk well away from stray coffee mugs so I can refer to it (with a magnifying glass if need be) without touching it. Far easier than working with a cotton glove on!
Until next time ...
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